I first started exploring sound at around 15 years old having fallen in love with soundscapes from artists like Depeche Mode and New Order amongst others.
 
In awe of the intricate layers that create such an original sound, I turned my Amiga500 into a musicX workstation and never looked back.

I have since helped to create numerous commercially available albums but never with a commercial thought in mind...this is something I truly love and always will.
 
From the early ‘00's I was already working in the events sector as a sound engineer, freelancing from 2004 working with artists like Pixie Lott, Elbow, Scouting for Girls and up until 2011 I was self taught. In 2009 however, I lost my daughter to cancer and spent the next few years rebuilding life.
 
As part of that process I decided to verify my skillset and enrolled at Manchesters School of Sound Recording, studying for 2 years while continually growing my portfolio and connections in both music and film.
 
I graduated in 2011 with a distinction grade and a glowing post-production module assessment (see below)

While indulging my passion for music and film, I continued my work as a live sound engineer and system designer running FOH for many large scale events and conferences. Working closely with end clients including Astra Zeneca, Siemens, Blue Prism, M&S, Coca Cola amongst many others, I have built a solid reputation for high standards of work, attention to detail and perhaps most importantly, client relations.
 
As both sound engineer & huge film fan, I am drawn to the soundtrack from the first note I hear. To me, it doesn't matter if its a single chilling piano note or a complex battle scene, I imagine myself in that space. A great soundtrack allows you to do just that. Sound without film is something but a film without sound.....

Hopefully you find both passion and dedication in my work and thanks for taking the time to be part of the adventure!

Kev x